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The paper shows the distance between the aesthetics of the performative and hermeneutic paradigms.
The paper concludes with the exposition of the idea of the transformative power of performance (Aufführung) and notes the question of the philosophy of history underlying it.
The most successful suggestion is that by Hans-Thies Lehmann, who speaks of postdramatisches Theatre (postdramatic theatre).
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The first part illustrates the transition from an aesthetic of the artwork to an aesthetic of the event.
If the “classical representation” (“metaphysics”) suggested a subject as in some way dominated by an external and superior meaning text, how it is possible to conceive of a non-alienating mode of expression that speaks authentically to another subject and that truly rehabilitates the body?
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